
By:
Denis Alexander Torres
In any society, there are particular ways of envisioning the surrounding
reality, in other words, to symbolically represent all that surrounds us. In
this order of ideas, animals and plants have played an important role in the
thoughts of the Andean inhabitants, being displayed as multiple manifestations
that emerged to maintain the natural order, and are being transmitted from
generation to generation. It’s in that way that their environmental
experiences have been represented in the way the Andean people view the world,
with the Spectacled bear being in this case a prominent element of interest.
Although it’s true that the ancient European explorers observed the
American Continent from a renewing point of view, discovering it every time they
narrated or commented anything about it. We could also say that this vision did
little to highlight the presence of bears in this part of the world. There were
always comparisons maintained about what was known in the Old World, as only
what seemed strange when compared to what they knew then, was a motive for
fabulous stories. In this way, iguanas (Iguana iguana) were seen as dragons, sloth (Choloepus sp., Bradypus
sp.) as hybrids between various animals, but with a human face, something hard
to describe given the notions of the day, and the manatees (Trichechus manatus) as mermaids (women with fish bodies).
It’s in this way that every animal, with the same being true for
plants, appeared to be in a comparison game, always based in the European
identity, so they could later be considered as different creatures.
Being that bears were known animals in the Old World that occupied a
place in the colonists psychic, it’s not rare then, that some of the
explanations to many beliefs about the Spectacled bear in the present day could
have an European rather than an American origin, with new myths mixed with old
ones in different native and indigenous communities.
In this way, a “cultural mestization” was born, where the Spectacled
bear became an important source for the birth of myths and legends associated
with the kidnapping of women and portrayed in popular parties of folkloric
tradition. Bears became a symbol of male chauvinism and desire instead of
spiritual order, to which it was restricted by the indigenous cultures.
In Inca times, the Spectacled bear was considered as a link between Earth
and the Gods. This is seen in ancestral traditions still surviving today.
In the Mahuayani village, Peru, one night during the winter solstice,
some natives from different distant places, dress like bears (ukuku) to climb
the mountains during midnight and reach the peak of Mount Colquepunku, a sacred
place, home of the native’s protecting spirits. They depart from a small
chapel located at 4,800 meters above sea level, climbing the enormous and white
summits, hitting one another and slipping frequently. Already in the summit of
the glacier, they cut blocks of ice, bringing them down with the belief that
this is the only way to liberate their souls from mortal sins. The
“Condenados” (condemned), as they are named, gain entrance to heaven when
they offer Apu, the spirit of the mountain, the blocks of ice as
reverence. The Condenado is the dead person that once buried, rises from the
grave and starts walking across the dark cliffs through the uninhabited Pampas
that are “wako”,
that is, that they are disposed of all animal attributes.
The Condenados
are the “bosses” that exploited the natives, the priest that buried
fortunes, the ones burning the seeding, the incestuous and the ones being
disrespectful towards their parents. Without this intervention, they believe
they will not win passage to heaven, unless killed by the lash of a bears paw.
This
tradition is part of the Qoyllur
Rit'l
festival (Lord of the snowy star), an important traditional celebration in
Cuzco, dating from Pre-Colombian times and celebrated in the present during the
months of May and June of every year.
It’s in this way, in the Quechua belief, the Spectacled bear is a
mediator between the upper world (the gods) and the inferior world (human) and
signifying the salvation for the souls that have committed a mortal sin.
|
For
the Quechuas, the Spectacled bear is also a character that, in addition to
direct the passage from one era to the other, it maintains order when chaos
emerges, a belief associated with the Pleiades.
The ritual festival of
Qoyllur
Rit'l
coincides with the
visualization of these stars in the firmament. The Pleiades are a group of stars from the constellation of Taurus, which are visible in the Southern Hemisphere sky starting from the month of April. They "disappear" and later "reappear" at around June 9th. Their disappearance is associated with times of chaos, darkness, disease and sterility of the land. June is the month of renaissance. For the Quechuas, this time is a cycle of opposite forces like light and darkness, chaos and order, etc. and the Spectacled bear intervenes as an order and control gesture in favor of the humans. |
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In Colombia on the other hand, there is evidence of an important
relationship between the U'wa or Tuneba culture and the Spectacled bear. The
bear or "Manoba" is the “older brother” that always keeps them
company and watches over them. Because of this, it’s forbidden for U'wa to
kill Manoba, favorite son of Sira.
In the Perijá mountain chain, Venezuela, the Yukpa indigenous maintain
the myth of "Mashiramu". "Tavoukcha was a Yukpa that ascended to
the clouds bringing back the monkeys to live on the land, it mated with a monkey
conceiving Mashiramu, the Spectacled bear, who has its body covered with hair to
conceal its likeness to humans, from whom he is an offspring”.
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There
are very few representations of the Spectacled bear in handicrafts or any other
types of Pre-Colombian material displays. However, one that attracts attention
due to its exclusivity and cultural importance is the petroglyph found in the
“San Isidro Plateau”, close to Santa Cruz de Mora (Mérida State, Venezuela),
where we find on display the image of the face of a Spectacled bear. In spite of
being a legacy for Venezuela and humanity, the lack of protection has made its
future as endangered as the species that it represents. |
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In the sites where the indigenous groups were eradicated, as in the case
of the Mérida Mountain Range, Venezuela, nowadays, the concept of the
Spectacled bear as a harmful animal it’s more prevalent, this is due to the
almost absolute influence of the European cultural contribution over the
vision of the natives. In many areas, the Spectacled bear is known by the
name "El Salvaje" (the savage one), an anthropomorphic vision of
Spanish origin that substitutes the native names, as well as the bear’s name.
Next, we will show a summary of the notions that Andean towns have with
respect to the Spectacled bear:
A dangerous being that requires extermination (contemporary notion of certain groups of rural-dwellers of mixed racial ancestry).
A character for ritual hunts (for the Yukpas from the Perijá Mountain Chain, Venezuela, there are rituals and taboos associated with hunting the Spectacled bear).
A genetic-spiritual ancestor from the mythology of some native groups (The Colombian U'wa natives believe they descend from bears).
A human being reincarnated in bear form (Persisting in the Bolivian Andes is the legend of "Uncle Tom", which depicts a black slave from colonial times, who find refuge in the mountains and changes into a bear. In the same way, rural-dwellers from Merida, Venezuela, also associate the bears with native ancestors. On the other hand, the Colombian U'wa, believe that their elderly reincarnate as bears if they are wrapped up in rucksacks and thrown to the Cubujon River (Bachira o Bojobá)).
A quasi-human being (the myth of "El Salvaje" (the savage one) in Venezuela, also widespread in other localities across the Andean Mountain Chain).
The spirit of the forest (The Yukpas from the Perija mountain Chain relate the bear to the spirit of Mashiramo, the protector of the forest).
A mediator with the gods (most of all, a concept originated by the Quechuas in Peru).
A character in stories, myths and legends (for example, in the tale "Juan Salvajito", maintained in the Andean oral tradition of Venezuela, the novel "Antojo de Oso", created by the Brasilian-Venezuelan writer Luiz Carlos Neves, etc.).
An element from the native natural calendar (a creation of the Quechuas in Peru relating to climatic changes throughout the year with the bear being an indicator of the passage of time).
A
symbol (The
bear represents strength, knowledge, virility, the contemporary wish for the
conservation of nature in the Andes, The main character in various religious
parties - Santa Rita, San Isidro, La Candelaria in Venezuela, etc.).
Names
of the Spectacled bear (Tremarctos ornatus) associated with the indigenous cultures.
|
Name |
Ethnos |
Indigenous |
Name
Distribution |
Comments |
|
Mashiramo (u) |
Yukpa, Chaqué (*) |
- |
Sierra de Perijá, Zulia State, Venezuela. |
(*)
Name given to the Yukpas in Colombia. |
|
Sabaidakú |
Barí |
- |
Sierra de Perijá, Zulia State, Venezuela. |
- |
|
Masirsa |
Yukpa |
Japreria |
Sierra de Perijá, Zulia, Venezuela. |
- |
|
Manoba |
U'wa o Tuneba |
Kubaruwa o Cobaría |
North
of Boyacá, Colombia. |
- |
|
Manoba |
U'wa o Tuneba |
Tagrinuwa o Tegria |
North
of Boyacá, Colombia. |
- |
|
Manaba o Mánaba |
U'wa o Tuneba |
Boktuwa o Bokotá |
North
of Boyacá, Colombia. |
- |
|
Manoa |
U'wa o Tuneba |
Thu'tatuwa o Unkasia (*) |
North
of Santander, Colombia. |
(*)
Extinct as group. |
|
Nen |
U'wa o Tuneba |
- |
Colombia. |
Imprecise
name, could have been also used to name the Puma (Cougar). |
|
Jukumari o Jukumarí |
Quechua, Aimará |
- |
Ecuador, Peru, Bolivia. |
- |
|
Ukuku o Ucucu |
Quechua |
- |
Peru. |
- |
|
Uturunco |
Aimará |
- |
Bolivia. |
- |
|
Ucumaria, Hucumarí |
Aimará |
- |
Bolivia. |
- |
|
Uyutchine |
? |
Mesetenes |
Bolivia. |
- |
|
Uco (a), Ucumar (e) |
Quechua, Aimará |
- |
Bolivia, North of Argentina. |
- |
| Maini | Arawakau |
- |
High central forest of Peru. | |
| Chayú | Achuar - shiwiar (jíbaro) |
- |
Peru: North forest (Dpto. Loreto), bordering Ecuador. |
U'wa’s Legend - Bokotá, El Cocuy
National
Natural Park, Colombia.
MANOBA,
the Older Brother.
|
"Al principio no había nada. Sólo la luz. Sólo Sira. No había montañas, ni árboles, ni peces. Sira hizo todo, montañas, árboles y peces. Cuando quiso hacer al U'wa hizo al oso. Entonces miró al oso. No le gustó lo que había hecho. Entonces hizo otra vez al U'wa. Así como somos ahora. La primer gente fuimos los U'wa. El U'wa no mata al oso. Porque es el padre de los U'wa. Es el Hermano Mayor. Es el primer hombre que hubo". |
"At
the beginning there was nothing
Only light. Only Sira.
There were no mountains, nor trees, nor fish.
Sira made it all,
Mountains, trees and fish.
When it wanted to make U'wa, it made the bear.
Then, it looked at the
bear.
Did not like what it had
done.
Then it made the U'wa
once again.
Just as we are now.
The first people were the
U'wa.
U'wa don’t kill the
bear.
Because it’s the father
of the U'wa.
The Older Brother.
The
first man that ever was”. |
The Abductor Bear.
|
One
of the most widespread tales being part of the oral tradition in the Venezuelan
Andes and the rest of the South American Mountain Chain and with innumerable
versions is the "oso raptor" (the abductor bear) and the "hijo
del oso" (the son of the bear). In Merida, Venezuela, a version registered
by the columnist Andrés Zavrotsky (1956), says the following: |
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"A bear took away a girl, locking her up in a cave that it used as a
burrow. But the clever youth realized that the stream irrigating her new
dwelling, discharged in the river that supplied water to her native village. She
knew how to write and in a palm leaf she traced with her fingernail, or a small
pointy rock the narration of her misfortune. She indicated carefully the place
were she was and encouraged her fellow villagers to come and rescue her. She
trusted her unusual message to the currents of the source and this one,
delivered it faithfully to the hands of her relatives.
The first to find the leaf on the beach gave the news to the rest and
they all decided to save the abused woman. Knowing the extraordinary strength of
the bear, twenty men gathered for the expedition to the place indicated by the
document. When the bear saw the army approaching its domain, it grabbed a rock
and used it to seal the caverns entrance. Such was the weight of the rock that
twenty men together could not lift it and departed leaving the youth in her sad
captivity.
In the mean time, the couple had a son. When this one reached the age of
16, it already had the strength of the bear and the human intelligence, as the
mother had taught him to speak and had fun with him in her leisure time, when
her moody husband went hunting to provide food for the family.
One day the son told her mother:
- I already feel strong enough to remove the boulder from the entrance to our cavern, but I won’t do it until you swear to baptize me and place me in school when we go back to the village. The mother agreed to his wishes and the son cleared the cave entrance. Once back in civilization, he was baptized and learned the letters. Since then it is maintained, that it’s not possible to distinguish him from any other Christian, due to his likeness to humans, except for his titanic vigor, which he seemed to have preserved until an advanced age.".
For some nations, animals are not, or could never be oppressed, as they are divine. “Always and everywhere, animals have been the teachers” and there is no doubt that bears are among the more influential animals in the development of the ideas of the ancient native nations.
The cultural valorization of the Spectacled bear, recapturing the old myths and trying to handle the concepts of today, could result in a key tool needed to solve many of the conflicts between people and the bears in this ever-changing world.
Credits in Photos:
- Spectacled bear in the title "Spectacled Bear & Culture": © Milton Tierney.
- Indigenous house (background title "Spectacled Bear & Culture"): © Jaime Bautista, AndígenA.
- Spectacled bear with the Pleiades background: Jairo Cadavid Ossa, © Fundación para la Educación Superior (FES), Colombia.
- Spectacled bear Petroglyph: © Museo Arqueológico "Gonzalo Rincón Gutiérrez", Universidad de Los Andes. Mérida, Venezuela.